Four Rio Grande Valley corps members—
all former students of Anne Sung (R.G.V.
'00)—reflect on the rewards of teaching in
their hometown.
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Daniel Johnson's quirky creative writing lab helps kids' imaginations run wild
Kevin Hartnett (N.Y.C. '03)
Like any top-secret
research lab worth its
salt, there's more to
the Greater Boston
Bigfoot Research
Institute than meets
the eye. Enter its
Roxbury storefront,
and you'll find for sale all the equipment
you need to track the big Sasquatch,
including unicorn tears and casting
plaster. But persuade the friendly
volunteer cashier to roll aside the
fake rear wall, and the building's true
purpose comes into view. It's a buzzing
writing laboratory, where neighborhood
children come to develop their skills as
poets, playwrights, and journalists.
The Bigfoot Research Institute is, in
fact, the whimsical alias of 826 Boston,
one of seven chapters of 826 National,
the organization started by Pulitzer Prize
nominee Dave Eggers to offer free writing
instruction to low-income students
through tutoring, field trips, after-school
workshops, and assistance with student
publications.
"Part of the goal," explains 826
Boston's executive director, Daniel
Johnson (Phoenix '96), "is that when
students come into the space, it doesn't
look like a school. It sets fire to their
imaginations."
There was no space to speak of when
Johnson, a published author and former
artist-in-residence at the Snow City
Arts Foundation in Chicago, was hired
in September 2007 to help launch 826
Boston. "Basically, at that point I was
squatting in an office with four interns
and an Ethernet cable," Johnson says.
826 partners with local teachers—
who usually find out about the program
through word of mouth—on classroom
writing projects, and runs after-school
tutoring and writing workshops out
of the Bigfoot Research Institute. To
get the ball rolling, Johnson pounded
the pavement, introducing himself to
teachers and parents in the community
and explaining what 826 had to offer.
Within a year, the program had worked
with more than 800 kids and recruited
a volunteer team nearly as large.
Johnson surveyed all of the parents
and, in an 826 Boston newsletter,shared that 95 percent reported their
children had improved grades after
tutoring sessions.
One of Johnson's goals is to make
826 a place that students keep coming
back to. Take Edwin Gonzalez, for
example. He met Johnson last year,
when 826 came to his junior English
class to assist with a book-creation
project. Gonzalez was selected to help
compile the book's final draft. "I learned
that editing is hard," he says. "It's a
challenge to find the right balance of
their voice and your voice." Gonzalez
was quickly drawn to 826, explaining,
"[I'd] been writing creatively for two or
three years and never found an outlet
for my writing." Now a senior, he was
hired last fall to tutor younger students
in 826's after-school program.
Activity at 826 Boston ranges from basic math and reading tutoring to a class on cartooning and a popular Sock Puppet Theater workshop. Eva Hernandez, 14, recently took the "Food Critic for a Day" class. She learned how to employ all five senses when evaluating a restaurant before setting off on her first field assignment, at the Langham Hotel's Chocolate Bar. There she interviewed the chef, photographed the food, and took notes discreetly as she ate. "It's a good place for a wedding or a party," Eva wrote in her final review. And the food? "Delicious."
Creativity isn't reserved for
the workshops. After doubling its
tutoring hours this year to keep
up with neighborhood demand, the
staff recently launched a moustachegrowing
competition/fundraiser, and
an art auction is in the works. At
826, "every day is different," says
Gonzalez. That seems to be about
as it should, whether you're after
Bigfoot, or something even more
ambitious.